Austin Escorts In The News!

7:30pm: Motorhead show! The Sword blow everyone away, making kids bang their heads all the way to the back row. Hang in VIP balcony with Jo and Benni, where we spot BP Fallon and Clem Burke. Lemmy, Phil, and Mikkey take the stage and shred for over an hour. Everyone loses their minds when they play “Overkill”. The crowd evolves into one huge circle pit long before “Ace of Spades”. One encore later, we say goodbye to BP and Clem, then take to the streets of Austin!
10pm: Watch Ferocious Few busk on the corner of 8th and Red River. They draw a pretty nice crowd, especially with songs like “Kathleen Was a Beauty Queen” and “Porcelain Doll”.
12am: Meet back up at Stubbs with Motorhead and crew. After a quick stop at the hotel, my friend Steve and I take a black Escalade to meet Lemmy at a strip club downtown. Get to the club and hang with Lemmy, his son Paul, and Head Cat guitarist Danny B. Harvey. Drink Jack and Cokes until last call, and keep my eye on Lemmy when the girls dance to “Ace of Spades”!

See the full article from “Stay Thirsty Media”

… The tax on strip clubs went before the Texas Supreme Court on Thursday, Chuck Lindell reports. “Is exotic dancing, performed partially clothed or fully nude, a form of free speech protected by the U.S. Constitution? Strip club owners insist that it is, and on Thursday they asked the Texas Supreme Court to strike down the state’s $5-per-patron tax as an unconstitutional limit on free expression. Texas officials defended the tax, arguing that it is an appropriate exercise in state power — promoting public safety by discouraging the “combustible combination” of drinking and live nudity.”

See the full article from “Austin American-Statesman (blog)”

While the Harlem reference may be questionable, the garage-rock trio lives up to its album’s title. Sounding like a mix between the flower children of the ’60s and the punks of the ’70s — but with the lo-fi style of the ’50s — Hippies is simple and catchy. Tracks such as “Friendly Ghost” and “Be Your Baby” highlight Harlem’s unique yet vintage style.
While vocalists Michael Coomers and Curtis O’Mara both have interesting enough voices to distinguish themselves from the music, after listening to all 16 tracks, they become somewhat repetitive, even boring. Each track is individually good, but as a whole, the album is somewhat monotonous, something a new band should be wary of.
The trio, made up of Coomers, O’Mara and bassist Jose Boyer, has been garnering support for the past several years in its home state of Texas through raucous live performances and its debut LP, Free Drugs. While Hippies still manages to capture the natural, free-spiritedness of Free Drugs, it is more polished, calculated and on the whole mature. If a band with songs titled “Gay Human Bones” and “Stripper Sunset” can really be considered mature.

See the full article from “University of Pittsburgh The Pitt News”

Dexter man accused in prostitution case allegedly used false ID
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A Mower County man accused of hiring a 17-year-old female prostitute last year in Austin allegedly was using a false identity throughout his criminal court process and previously had been deported in 2004.
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In October, Hernandez-Rojas pleaded guilty — as Batista-Quintana — to a gross-misdemeanor count of prostitution (hire a 16- to 17-year-old) related to a May 24 incident at the Sterling Motel in southwest Austin, records show. With his plea, Hernandez-Rojas did not admit guilt but acknowledged a jury likely would find him guilty based on the evidence.
Hernandez-Rojas allegedly took the girl to the motel for the purpose of prostitution. While he was putting on a condom, the girl allegedly stole his shorts containing valuables and left in a vehicle driven by another woman.
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identity in the prostitution case discovered issues with that identity.

See the full article from “Pioneer Press”

Victorian English Gentlemen’s Club SXSW survival guide
SXSW is the world’s largest music festival and also a giant-sized shop window for the world’s asprirant hitmakers, cult stars and soon-to-forgottens.
The annual fest kicks in this week with thousands of bands vying for attention in the bars, clubs and offbeat venues of Austin, Texas.
Wales will be represented at this year’s shindig by the likes of valleys rockers Straight Lines, kooky folkstress Cate Le Bon and the grizzled singer-songwriter Christopher Rees.
Here Louise Mason from Cardiff art pop noisemakers Victorian English Gentlemen’s Club – veterans of SXSW and experts on how to survive the week long beanfest and bunfight – gives us her top tips to maintaining your SXSW sanity…
SXSW festival is essentially one street, with music coming from every single one of its orifices. Bands, bands on every rooftop, in every garden, from every doorway, with the plentiful wearing-nothing-but-a-Stetson Texans playing guitar close to your face everywhere else.
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For more on Victorian English Gentlemen’s Club – click here

See the full article from “WalesOnline”

Sunday, March 21, 2010
Twitter has been chatting about Jesse James and his alleged affair with tattooed stripper, Michelle ‘Bombshell’ McGee. McGee’s own actions keep her …

See the full article from “Examiner.com”

A song licensed for a soundtrack or a commercial, one way musicians still get paid for recordings, needs to register clearly and directly; the same goes for music heard live, as musicians’ careers tilt toward performing rather than sales of recordings. Lingering over music, both in the recording process and as a listener, may turn out to have been a luxury from the album era, now disappearing. And while pop simplicity can be a fine corrective to self-indulgence, it can also grow shallow.
Still, one of the best events at the festival was one of the most basic: a showcase of New Orleans bounce, the raunchy, local hip-hop style that developed in the 1990s but is only now escaping its hometown. The beat is fast, syncopated and relentless, and bounce fans know exactly what it’s for: shaking rumps at high speed. Katey Red, a tall transsexual in a black sequined dress and high heels, rattled off rhymes about sex and prostitution. No subtlety was necessary.

See the full article from “New York Times”

Born Dec. 28, 1950, in Memphis, Chilton was the preternaturally mature voice of the Box Tops, a Bluff City group that was deeply influenced by the city’s contemporaneous deep soul. Produced by Dan Penn, the group found instantaneous success with a smash version of cleffer Wayne Carson Thompson’s “The Letter,” which roared to No. 1 on the national charts in 1967. Chilton was just 16 when the single hit the top.
The Box Tops toured heavily and notched a handful of lesser hits – including “Cry Like a Baby,” “Neon Rainbow,” “Soul Deep” and “Sweet Cream Ladies,” probably the only chart record of its day about prostitution. But Chilton tired of the grind and the band’s music, and, abandoning the group in 1970 after four albums, he moved to New York to reconsider his career.

See the full article from “Variety”

Here Louise Mason from Cardiff art pop noisemakers Victorian English Gentlemen’s Club – veterans of SXSW and experts on how to survive the week long beanfest and bunfight – gives us her top tips to maintaining your SXSW sanity…
SXSW festival is essentially one street, with music coming from every single one of its orifices. Bands, bands on every rooftop, in every garden, from every doorway, with the plentiful wearing-nothing-but-a-Stetson Texans playing guitar close to your face everywhere else.
DON’T think about the ludicrous concept of taking part in a battle of bands with 100,000 entries, it’ll dissolve your soul.
DON’T think about the fact you have 5 shows to play in the next hour and 2 strings left on your guitar. Just take the free drinks, even the green ones, and let it the experience enrich you.
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For more on Victorian English Gentlemen’s Club – click here

See the full article from “WalesOnline (blog)”

But Stephen Master, vice president of Nielsen Sports division of the television ratings company, said that after the first three tournaments of this season — the Bob Hope Classic, Farmers Insurance Open and Northern Trust Open — ratings for PGA golf are up 29 percent from 2009, when Woods missed several early tournaments while recovering from knee surgery.
“The PGA has to be very happy with that,” Master said. “To me that shows that, yes, golf is going to survive and be fine.”
When Woods comes back, he will find some support on the Tour.
“One of the first things that comes to my mind is one of my favorite stories in the Bible,” veteran golfer Ben Crane said. “It talks about a woman who has sinned and she’s been a prostitute and everyone brings her before Jesus and says shouldn’t we stone her? Shouldn’t we kill her for all these bad things that she’s ever done? And Jesus says, yes, absolutely, stone her. But you without sin be the one to cast the first stone. That’s my favorite story.

See the full article from “Norwalk Reflector”